RAW Talent – Young Artists Takeover the Bruns

Last week, Richmond Artists With Talent (RAW Talent)—in partnership with Cal Shakes’ Triangle Lab—performed The Adventure Of Grief: A Short Play on the Bruns Amphitheater stage. Six years ago, Richmond Artists with Talent was founded by a small group of teachers and students, in order to provide safe spaces and creative outlets for youth in Richmond, California.

The Adventure of Grief was written by the members of RAW Talent, ages 13-24, and directed by Triangle Lab Artist-Investigator Arielle Julia Brown. Much of Arielle’s work focuses on theater as witness and testimony, including the piece Love Balm For My Spirit Child which ran at Brava Theater and shared testimony from mothers who lost their children to violence.

This project was a further development of Phoenix Rysing, a workshop series co-sponsored by Cal Shakes in which the students used writing and performance to create pieces that explore how we experience and heal from grief. Phoenix Rysing was prompted by the loss of Dimarea Young–one of the founding members of RAW Talent to whom The Adventure of Grief was dedicated–to gun violence in 2013. The students participated in a week-long residency up at the Bruns Amphitheater along with RAW Talent staff Molly Raynor and Donte Clark, developing this piece. They performed it on stage before Pygmalion on August 8th.

The Adventure of Grief performance was truly inspiring, with about 70 invited audience members in attendance, half of whom had come from Richmond to see the show. The opening act “The House of Grief” was an ensemble piece about moving into grief when you have nowhere else to go, and no one to turn to. The format of the show allowed the audience to relate to the subject matter that the students were addressing. There were six scenes, some performed in small  groups, and in one case even a dance duet, creating multiple windows and perspectives into this House of Grief.

The most daring moment of the show arrived when the actors asked the audience to write down down their own stories and then to volunteer to come onstage and read them. In the community piece entitled “Write Myself Whole,” the students sang as attendees wrote two and three line poems about a grief or struggle that had made them who they were today. Here are some of the poems that were written by individuals in the audience:

“I come here by way of family struggles
Art healed me
The loss of my dad, young when he killed himself.”

“I come here by way of Nana Kika & Kim Pate + Raymen Justice. I come here by way of sadness, emptiness, rage & love. I sit in my sadness to reach for my gratitude & humility.”

“I come here by way of Salvador Joseph
I come here by way of separation and loss of love from loved ones.”

By the end of the play, much of the audience was moved to tears from the shared experience of acknowledging grief and sharing in the stories of these young people. Yet the most important takeaway was that we must all learn to move out of the House of Grief, by writing ourselves whole and empathizing with the experiences of others.

Triangle Lab was honored to work with such an inspiring and talented group and to help bring their stories to the Bruns. Richmond Artists with Talent has been a program for six years and has reached over  500 students in the Richmond Area, and will continue growing with support from the RYSE Center. For more information about RAW Talent visit their Facebook Page.

About the Author: Regina Fields is an Artistic Intern and local actress.

Photos by Jay Yamada.

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Beginning Again: The Love Balm Institute

By Triangle Lab Artist-Investigator in Residence Arielle Julia Brown

The Love Balm Project is a theater of testimony workshop series and performance based on the testimonies of mothers who have lost children to violence. The Love Balm Project currently collaborates with six mothers throughout the San Francisco Bay Area. Last summer, with support from the Triangle Lab, we hosted site specific performances in the spaces where the young men—sons of the mothers—had been murdered. These performances took place on street corners, in front of homes, at a BART station, in front of a church, on the porch of a mothers’ home and on a MUNI train platform. These performances met the communities in the spaces that haunt them and the spaces we learn to forget. Naturally, it was in these spaces that more mothers and community members began to inquire about getting involved in this work. Mothers approached me after performances, family members took my contact information to give to other mothers they knew.

This leads me to the beginning of my current investigation with The Triangle Lab. How is it that a grassroots arts collective recreates itself? How do we move in full awareness of our limited capacity as facilitators and yet be open and permeable for new knowledges, new community members, new stakeholders? What does it look like structurally to have an open space for all mothers to find and make space in their neighborhoods to tell and witness their stories? I am in deep search of what these answers could look like for the Love Balm Project. The only place I knew to begin is with the Love Balm workshop series. The workshop series features 4 workshops for mothers and community artists to gather together and perform, witness and creatively write their testimony. So I began to imagine in the middle of last year’s site specific investigation, what would it look like to have an institute to train other artists, mothers and cultural workers in how to facilitate a Love Balm Workshop series or group. In the Love Balm Institute we collectively questioned this work, reviewed and adapted the curriculum, witnessed mothers’ testimonies, explored applied theatre methods including original games, playback theatre, drama therapy and theatre of the oppressed and finally strategized about workshopn structures and funding models. The Love Balm Institute was supported by The Triangle Lab, Eastside Arts Alliance and The Akonadi Foundation. The institute took place from May 23rd–25th in Oakland.

Several amazing cultural workers attended the institute. The cultural workers live and work with communities throughout the state of California. Please see their bios below to see what kind of work they are doing in communities already. Each of them have studied and taken their training from the institute to start planning love balm workshops and community circles for the communities they work and live in. The cultural workers will facilitate the Love Balm workshop series with mothers, LGBTQ youth, young men and women of color who have both perpetrated and survived acts of violence. Check out their projects below alongside their bios. I will continue to post updates as their projects progress.

 

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