Philippa Kelly, resident dramaturg for Cal Shakes and production dramaturg for The Tempest, shares her thoughts on the current production, and invites your questions. The Tempest runs May 30–June 24, 2012.
The Tempest is a “Romance” play, best introduced in relationship to King Lear, written six years before it in 1605. Lear is a tragedy that leaves its audiences in a diminished Britain amidst the wasteland of loss, with only Lear’s brief reunion with his beloved Cordelia to comfort us, and even that reunion made bittersweet because both are dead by the time the curtain falls. The Tempest affords a more elegant wrap-up: Its fairytale structure—the power of Prospero’s magic; the mysterious setting somewhere in the Mediterranean; and the satisfaction of final redemption and of a wedding to close things—allows Shakespeare to tie up the play’s loose ends and to make what many have seen as his farewell to London and the stage. As Jonathan Moscone said at the Inside Scoop, the play is full of beautiful tropes—love, romance, loss, relinquishment—and we’re asked to open our hearts unguardedly to all of them via the production’s spectacle, movement, and beautiful poetry.
Are you going to see our production of The Tempest? Do you have questions or comments about the production’s themes, creative choices, or anything else? Please leave them in the comments, and I’ll be sure to respond.