New Cal Shakes Board President Paul L. "Buddy" Warner

California Shakespeare Theater today announced the election of San Francisco attorney Paul “Buddy” L. Warner as President of the Board of Directors. Mr. Warner, who joined the board in 2010, replaces outgoing president David Goldsmith, who served five one-year terms.

“My goal is to build on the important work done by David and his predecessors which has assisted our professional staff in making Cal Shakes a nationally recognized theater company,” said Mr. Warner. “Cal Shakes will continue to present the highest quality performances of both Shakespeare and the classics. We will also continue and expand our Artistic Learning program which provides a valuable theater learning experience to many underserved communities in the Bay Area”

Mr. Warner is a partner with Jeffer Mangels Butler & Mitchell LLP, with a practice specializing in commercial litigation and trials. He is the author of numerous articles on civil procedure, class actions, arbitration, and legal ethics and tactics, and was named one of the Top Attorneys in Business Litigation by Super Lawyers 2004-2011. Mr. Warner lives in Berkeley, and also sits on the board of Tehiyah Day School. He and his wife Jodi are long-time Cal Shakes supporters who, according to Mr. Warner, “have not missed a production since Cal Shakes moved to Orinda in 1991.”

“I am so grateful for the steady and sure guidance that outgoing President David Goldsmith provided over the past few years — a period of national economic turbulence,” commented Managing Director Susie Falk. “Cal Shakes has emerged with a renovated home, and greater organizational and financial stability, We are now poised for our next chapter of growth, and I am thrilled that Buddy will be at the helm with his significant board experience, professional expertise, and irrepressible enthusiasm for the organization. I know our board is in excellent hands.”

The 2012 slate of officers and their cities of residence are as follows:

• President: Buddy Warner, partner with Jeffer Mangels Butler & Mitchell LLP (Berkeley)
• Vice-President: Kate Stechschulte, architect (Berkeley)
• Vice-President: Alan E. Schnur, Ph.D., founding partner of Schnur Consulting Group (Orinda)
• Vice-President (ex-officio): Jonathan Moscone, Artistic Director (Oakland)
• Vice-President (ex-officio): Susie Falk, Managing Director (Berkeley)
• Secretary: Jean Simpson, retired educator and civic worker (Piedmont)
• Treasurer: Jay Yamada, civic leader (San Lorenzo)
• Immediate Past President: David Goldsmith, business consultant/health care management, (Orinda)

Newly-elected members of the Cal Shakes’ Board include:

• Ellen Dale is a long-time civic leader whose passion for the arts was instrumental in the creation of Cal Shakes’ permanent home at the Bruns Amphitheater in 1991, and most recently in the 2010 capital campaign to renovate the site. A native San Franciscan, Ms. Dale graduated from UC Berkeley with a degree in Psychology. She and Joffa, her husband of 45 years, have lived in Orinda since 2000 in a home designed by their daughter. Prior to 2000, they lived in Moraga for 28 years where they raised their three children.

• Erin Jaeb is a commercial photographer with a background in fashion, beauty and architecture, and a current emphasis on fine art photography. She serves as artistic director for the marketing materials of her family-owned business, Emerald Packaging, Inc., one of the largest produce packaging suppliers in the United States. Ms. Jaeb, her husband, and their three children make their home in Oakland, CA. 
• Marshall Kido holds a B.A. in journalism from San Francisco State University, has worked in the banking industry in California since 1977, first with Home Savings of America, followed by eight years as Area Sales Manager for Citibank. He currently serves as the Division Segment Manager at City National Bank in Walnut Creek.

Additional members of the Board are:

• Terry Bush, Director, Q Builders (Walnut Creek)
• Michael Cedars, M.D., Plastic Surgeon, Alta Bates-Summit Medical Center (Orinda)
• Phil Chernin, Certified Public Accountant (Lafayette)
• Joshua Cohen, Attorney, Wendel Rosen Black & Dean LLP (Walnut Creek)
• Ed Del Beccaro, Managing Director, Grub and Ellis (Danville)
• Joseph DiPrisco, Ph.D., author/educator (Berkeley)
• Sonetta Hanson, yoga instructor and clothing designer (Orinda)
• Tony Kallingal, Vice President/Region Manager, Mechanics Bank (San Ramon)
• David Lawrence, retired, Private Client Services Manager, City National Bank (San Ramon)
• Richard E. Norris, Partner, Archer Norris (Walnut Creek)
• James Roethe, Arbitrator/Mediator, J. Roethe ADR Services; former General Counsel of Bank of America, and partner Pillsbury Winthrop Shaw Pittman (Orinda)
• Michael Ross, Adjunct Professor, University of California and University of Virginia Schools of Law (Orinda)
• Michelle Runyon, Vice President, Wealth Advisor, Wells Fargo Private Bank (Orinda)
• John Ruskin, Vice President, Jones Lang LaSalle Americas, Inc. (Lafayette)
• Sharon Simpson, civic leader (Orinda)
• Frank Starn, Senior Vice President and Chief Operating Officer, U.S. Pharmaceutical, McKesson Corporation (Lafayette)

Amid the hurry and flurry of the holiday season just past, Bay Area media outlets were busy crowning the year’s best creative achievements. We’re proud to say that our productions made most critics’ top-ten lists for 2011.

In the San Francisco Chronicle, critic Robert Hurwitt named Jonathan Moscone‘s production of Candida, by George Bernard Shaw, among the year’s ten best, calling it “buoyantly nuanced, exquisitely designed, and unexpectedly suspenseful.” Hurwitt also gave this year’s Bay Area acting MVP nod to Rod Gnapp, who played Baptista in our The Taming of the Shrew this season. On his theater blog The Idiolect, independent critic Sam Hurwitt, a.k.a. Hurwitt the Younger, included Amanda Dehnert‘s brand-new play, The Verona Project, as one of his favorite 2011 productions, “entirely new and electric, with a touch of magical realism, witty dialogue, fiendishly clever storytelling devices, and some awfully catchy pop-rock songs”; one of his two MVPs was Verona‘s Julia, actress Arwen Anderson. Critic Chad Jones gave Shana Cooper‘s production of The Taming of the Shrew a prominent place on his Theater Dogs top ten, admitting that it was a tough call between that and our Candida but ultimately falling for how “leads Erica Sullivan and Slate Holmgren brought not only humor to this thorny comedy but also a depth of emotion I hadn’t ever experienced with this play.” And Cooper’s Shrew “packed a punch” according to KCBS‘ list of the Bay Area’s best arts and culture in 2011.

Accolades must also be given to Cal Shakes Artistic Director Moscone, whose production of Clybourne Park at A.C.T. made it onto every single list mentioned above!

Read the Chronicle‘s Top Ten list here.

Read The Idiolect‘s Top Ten list here.

Read the Theater Dogs Top Ten here.

Read KCBS’ Best Ofs here.

December 2, 2011

Cal Shakes builds community. Our work—whether onstage, in classrooms, or in community settings—helps people of all ages discover and develop vital imaginative tools that improve lives and strengthen our society.

By giving to Cal Shakes this year, you will directly impact individuals  and communities, many of whom desperately need creative resources to survive, let alone thrive. You make a difference when you invest in Cal Shakes. You became a fundamental partner in our distinctive service: Fostering a vital culture of creativity that makes the Bay Area the most innovative, inclusive, and interesting super-neighborhood in our country.

Cal Shakes needs a major influx of donations in order to successfully meet our financial goals this year, and to ensure that we’re in the strongest position to meet the challenge of fulfilling our mission in 2012.

As government funding for the arts and arts education continues to decrease, many people are less and less able to access the creative tools and experiences that connect us as people and help our communities thrive. That’s where Cal Shakes comes in. And that is why I need your help, as our partner, to sustain and expand the work we do: building community through theater.

With your support for our Annual Fund, we can:

• Respond to the ever-growing demand for Cal Shakes arts education programs, and serve more Bay Area students.
• Ensure that future generations of artists and theatergoers—including your children and grandchildren—will be able to experience the beauty and power of Shakespeare and the classics.
• Create new outlets for marginalized voices, as Cal Shakes makes new American plays in collaboration with members of disparate Bay Area populations.

Your support makes the work of this Theater—your Theater—possible, and impacts thousands of people, many of whom would not have access to the arts or arts education without you.

Your investment in our work is an investment in building our community. Please make a 2011 contribution today.

Thank you for all that you do.

Sincerely,

 
Jonathan Moscone
Artistic Director

P.S. Click here to make your gift online; or to speak with someone personally, contact Donor Relations Coordinator Ian Larue at 510.548.3422 x107. Gifts can be made in installments.

P.P.S. By giving $100 or more in a 12-month period, you become eligible for benefits as a Cal Shakes Champion. If you’re already a Champion, increasing your gift may make you eligible for additional benefits.

Photo by Kevin Berne.

$300K gift to launch partnership between Cal Shakes and
San Francisco-based Intersection for the Arts + Campo Santo

California Shakespeare Theater today announced it has received its first-ever three-year, $300,000 grant from the Andrew W. Mellon Foundation. The grant was awarded to support the creation of a sustained partnership with San Francisco-based Intersection for the Arts and its resident theater company, Campo Santo for the creation of new works of theater in collaboration with diverse communities. This partnership, born of both companies’ desire to further develop their common vision for the creation of new theatrical works, aims to build on the shared goals of fostering community through theater and a desire to increase each organization’s impact in disparate communities.

Deborah Cullinan, Executive Director of Intersection for the Arts, says “Intersection for the Arts is thrilled with the opportunity afforded by the Mellon Foundation to forge a bold programmatic partnership with Cal Shakes that will explore new ways of genuinely engaging new people in the work that we do. This leadership support clearly recognizes the unique ability that theater has to cultivate community and have positive impact in our neighborhoods.”

“This is a significant moment in the story of our Theater,” said Cal Shakes Artistic Director Jonathan Moscone. “Even before we began our first collaboration with Intersection and Campo Santo on Naomi Iizuka’s Hamlet: Blood in the Brain, the inaugural project of our New Works/New Communities program, I have always held a deep admiration for the work Deborah, Sean, and the entire staff at Intersection does to make theater that comes from, and matters to, diverse communities. This partnership is going to change our organizations and make us both stronger, smarter and expansive in our vision to fulfill the role of theater in our society today.”

“It is an honor and an inspiration to be a part of a project like this,” says Campo Santo co-founder Sean San José. “The encouragement from the Mellon Foundation supports the belief that by directly connecting and communicating with the real world in which our theaters exist, we can create stories informed by real people and buoyed by real relationships. The community building then becomes the priority that theater-making supports.”

The Andrew W. Mellon Foundation, long a leading advocate of the performing arts in the United States, recently undertook a four-year inquiry into new play development and production in the US, an overview of which is available online here. As a result of this investigation, the Foundation’s priorities and goals have shifted; the Foundation now seeks to fund leading theaters of all sizes that contribute to the advancement or preservation of theater as an art form and which are characterized by distinctive and ambitious artistic programming, a commitment to artists, intellectual relevance, and the capacity to engage audiences. Its goals are to help artistic leaders who are “swimming upstream” to continue to take artistic risks; to support processes that will improve the quality of work being produced; and to support collaborations between organizations that develop, premiere, and mount second and third productions of a work. It also endeavors to support long-term commitments to artists by institutions. In addition to support for theaters, the program provides direct support to a handful of leading playwriting centers that are critical to the development of artists and new work.