Hamlet: Smells Like Tween Spirit

McGee working with students on tableaux creation.

Part One in a new series by Marketing Intern Katie McGee as she participates in a Cal Shakes classroom residency.

What does Hamlet have in common with a group of middle schoolers? MAJOR angst and uncertainty about their futures. Right? Except the middle schoolers (5th-8th grade) at Northern Light School in Oakland seem unbelievably unangst-ified, thoughtful, and quite sure of themselves. They ask provoking questions, make bold plot predictions, and are willing to take risks.

Guided by their fearless leader, Cal Shakes Director of Artistic Learning Trish Tillman, these bright young tweens are beginning a 12-week journey into the depths of Hamlet. At the end of their journey, they will perform an abridged version of the classic Shakespearean tragedy. Lucky for me they eagerly invited me to join their exploration.

To start, we studied a word cloud compiled from the play’s text. From this, we made plot predictions: “Hamlet gets married!,” “The clown kills Hamlet!,” “There will be madness everywhere!,” etc. While predictions shot around the group, I was reminded of how gratifying the unknown can be. Where will life take us? What role will I play? What will be the stakes? Our imaginations were revving up and we were raring to get on our feet.

To warm up our bodies and to practice connecting text with movement, we physically expressed nouns, verbs and adjectives.  My partner Isabel and I had some shining moments portraying a “waterfall” and the color “blue”.

With our actors’ tool kits (body, voice, imagination, focus, and collaboration) in tune, we were ready to dive into some intense tableau creation. Each tableau was inspired by a key plot point and paired with a pertinent quote from the show. Together these tableaux formed an abridged and highly entertaining Hamlet. Students confidently portrayed anything from a queen doomed by poison to a curtain veiling truth.

After the last tableau performed, we were 15 minutes over on time. Students were wiggling in their seats, not because they were ready to leave, but because they were eager to continue the activities and exploration.  Who can blame them? I mean, Hamlet speaks to the ghost, escapes on a pirate ship, stabs his girlfriend’s dad, murders his uncle to avenge his father… Need I say more?

I am truly looking forward to observing the artistic wonder and creation generated by these students over the next few months.  “Our doubts are traitors, and make us lose the good we oft might win, by fearing to attempt.” William Shakespeare, Measure for Measure. These students are not fearing to attempt new things on this project and marvelous educational growth is already appearing.


Occupy Theater with The Triangle Lab

The Triangle Lab is collecting and presenting performance responses to recent events at #Occupy Oakland. This is an open call for interested theater artists, musicians, dancers, singers, writers or anyone interested in contributing a story to be performed. Performances will take place in Oakland on Wednesday November 2, and will also be made available online.

Performances will be on the street, brief, unamplified,  and various; based on tweets, videos, and other stories coming out of the Occupy movement.

Share a story you’d like to see performed by actor:
Via Ustream
Via Twitter #OccupyTheater @Triangle_Lab
On our Facebook wall
Upload videos to Vimeo group

Meeting/Rehearsal Tuesday Nov 1, 6-10pm at Intersection for the Arts

Performance Wednesday Nov 2, 4-4:15pm
Meet at 3:30pm at It’s a Grind Coffee Shop and we will walk over to City Hall together. The performance will take place in the amphitheater in front of City Hall.

To participate live:
Please come to our artist meeting/rehearsal at Intersection for the Arts on Tuesday 11/1, 6-10 pm.  RSVP on our Facebook page

Please bring a 1-3 minute piece; feel free to incorporate any of the story resources collected on our Facebook page.  Please email a script or description of the piece to drasmussen@calshakes.org by midnight on Monday.

Actors wishing to perform assigned material are encouraged to come to the rehearsal as well or you can just show up on Wednesday.

The Triangle Lab: Intersection for the Arts + California Shakespeare Theater + Campo Santo
Experiments in making new plays with diverse communities


OakTechRep blogs from Scotland!

Below is a series of blog entries sent to us by several of Jessa Berkner’s Advanced Drama Students, currently in the U.K. to perform Hamlet: Blood in the Brain at the Edinburgh Fringe Festival, thanks to their winning the American High School Theatre Festival, and the support of Cal Shakes and many other friends.

Hey everyone, it’s Naomi Zingman-Daniels. I’m typing this from Pollock Halls all the way over in Edinburgh, Scotland. It’s been amazing! It feels like we’ve been here three weeks, not six days, and pretty much everyone wants to stay for a long time more. We’ve seen so much good theater, and we’ve started our run of Hamlet: Blood in the Brain off fantastically. When we got in, it was hectic—we went straight from the airport to Shakespeare’s Globe Theatre to see Henry IV, Part 1. It was awesome! The Globe is unlike any theater that I’ve ever seen before—for one thing, no roof. It was totally different to see a play in daylight like that. The show was amazing—the actors were brilliant (and the stage combat was so cool—I want to learn how to do that!). We returned there the next day for a workshop and a tour, learning lots of facts and even getting to work with one of the actors from Henry. It was so wonderful, I can’t even think of words for it (amazing keeps coming to mind, but it gets redundant to describe everything that way). To sum it all up: Thank you so much for making this possible! We love you!

Hey it’s G-MONEY! And I’m going to describe how opening night of Hamlet: Blood in the Brain went on August 18, 2010. “Are you listening, can you hear me? I said LISTEN UP!” A’ight then. Opening night was full of energy, ensemble flubs, and some damn heavy guns. We stepped down from the coach and sauntered in through the alleyway that led to our venue at the Church Hill Theatre in full costume. DAMN we looked bad-ass. The bystanders outside of the theater stole perplexed glances at our braids and baggy pants. When we got onside the theater, a black box with oversize curtains, we set up the blocks and the three Mylar flats we had constructed the day before. It takes two people to stand them up, but once we set them up they looked really good. Then we were given the prop guns that they let us borrow. The guns supposedly could be loaded to make a real noise, so they were legit. But they were entirely metal, so they were extremely heavy. When I tried to stash my prop gun in my jeans, my pants sagged down even lower than normal. During my big scene with Marcus, my arm was trembling from holding the gun up to his head for so long. The ensemble scenes went a little rough, but we had each other’s backs. We have rehearsed this play for so long that we know each other’s lines almost as well as our own, so when someone forgets their line, the brief silence is only due to everyone else deciding who should cover for them and say the line. But we got through it, and other than the curtains being too long for us to enter and exit smoothly, the show was fantastic. The AHSTF group that came to see us was very supportive. They cheered when we stepped outside like we were movie stars. I’m glad that the groups are so enthusiastic to see each others’ shows as well as performing their own. Well, thanks for everything. See you around!

Hello everyone! Marcus Thompson here! I’m having a blast here in the UK. Going to London was a fantastic experience. In a way it reminds me of New York City—many lights many people, very busy, always alive and quite inspirational. Now we are in Edinburgh, Scotland, taking advantage of the wonderful and priceless opportunity given to us. Every single day feels like two days in one, the reason being that we are always doing something, from going to see a show, to rehearsal, to enjoying the gorgeous and culturally abundant environment. It can get difficult to keep track of what we have done over the past six days. However, to be able to make that statement is an amazing thing to have the privilege to do. Thank you so much to all of the people that helped us get here, and thank you to everyone who has believed in us. I want everyone out there to remember that we couldn’t have gotten here with out you and that every one of us are very grateful for the love and support. You are all in our hearts during this journey. Well my time is up; we have to go to a show. So, until next time…

What’s up everyone??? This place is so utterly awesome like beyond words, but I’ll try anyway. We have been in Edinburgh for six days and it already feels like I live here. Everyone is so friendly and hospitable. Everything seems so familiar here for some strange reason even though the buildings look like they’ve been here for hundreds of years. It’s a very interesting mix of today and history. Because America is so young a country you don’t get to experience this there yet. The clothes people wear here are awesome too; everyone looks like they’ve stepped out of a magazine or something. You’d think it would be weird seeing a whole bunch of grown men walking around in skirts but it just makes them look more dignified. Kind of trippy. Anyway we’ve been able to embrace the culture here in many ways. This is made easier by the fact that it isn’t hidden in museums and monuments, it’s EVERYWHERE. A few nights ago we went to a Celidgh (pronounced keltay), which is basically a party, and it was so hard to keep up with the dancing. We learned many Scottish dances and about clothes and whatnot, while at the same time working off all the heavy food. You could eat very little here at breakfast and be full until around dinner. And haggis was not that bad. I expected it to look like someone had stuffed a stomach with a load of chopped meat and cut it up, but it just looked like a veggie burger the size of a hockey puck. It tasted kind of good too…for the first couple of seconds and then something about it hits you and you almost gag. It’s amazing here and I wish everyone back home could see and feel what we’re feeling. Thanks so much!

Hi everybody, this is Hong Ho. Here we are in Edinburgh, Scotland, and it’s beautiful. We went to a lot of terrific and amazing shows, especially No Child, an excellent show featuring a talented actress, Nilaja Sun, from New York, who portrays all the students she taught in New York. Her show presents her amazing acting skills that capture the audience, and the best thing was the comedy However, I laughed at the wrong moments. Is that weird? Oh, well. Thank you for this experience.

Hello everybody, it’s Rafa Moraga. I am in Scotland and having a wonderful time. I have met people here that are from so many different backgrounds and walks of life. I feel that all of the groups that we have met, the group from Savannah, Georgia has had the most in common with us. They have that same level of high energy and spiritedness that we have. This was first apparent when Marcus, Tyree. and I passed by them playing gigolo; they invited us with such open arms and kind hearts that it was hard to refuse them. Having had an encounter with them, we were so excited to see their show, The Katrina Project: Hell in High Waters. It was a wonderful and moving show that really gave me a different perspective on Hurricane Katrina and people’s struggles through the disaster. It is great to see people like us doing works of art on their own.

Hey hey hey! It’s Keyera Lucas and, man, I am having the GREATEST time on this trip. Edinburgh is an extremely beautiful place. I have never seen anything like it. Every day we do so much. We have seen so many great plays. Yesterday, we went to see On the Verge or the Geography of Yearning, performed by the only other group from California, a group of five girls from Marin County. They represented the Bay Area very well. Their show was hilarious. Those ladies were amazing. COOL FACT: We actually met this group for the first time at the San Francisco Airport. We boarded the same flight to London. How crazy is that? Just know that the Bay Area is doing well! Signing off, Keyera.

Greetings from Gareth across the pond! This whole trip has been so much fun! I have really enjoyed spending time with the rest of the Tech students, as well as Ms. Sabella, Ms. J, and Scott. I’m really glad we all get along really well, because the trip wouldn’t have been as meaningful to me if I didn’t have friends to share the experience with. We like seeing the sights and meeting the other AHSTF groups. We especially enjoy seeing performances together and talking about what we liked and disliked about the show. One of the shows we saw in London was a play called War Horse. It was set during World War II, and it followed the close relationship between a young boy and his horse, Joey. The boy’s father ends up selling Joey to the Army, and the boy sets out to look for him. It was a very touching story. However, the most incredible part about the play was the fantastic puppetry. The horses were wood and wire puppets that were controlled by two to three people each. The puppeteers moved the horse puppets in such synchronized, animalistic movements, it really looked like a real horse was on stage. It was a very sad play, but with a happy ending.
Another play that we all saw together was a hilarious show in Edinburgh called the Beat Box Action Comedy Chef. The show consisted of about eight Korean men and two women, all of whom had their own special talent. The women could sing and dance; a couple guys were amazing beat boxers (they had a battle—coolest beats I’ve ever heard without using a drum machine!); and some other guys could break-dance really well! It was a tremendously funny and exciting show, and I was breathless by the end.

Hey, hey, it’s Tenecia. The trip has been full of excitement so far, and every day has been a fun a new experience. Last night, however, was truly a treat. The cast of Hamlet: Blood in the Brain had the chance to be on the Scotland radio station, Fresh Air. The station was just a walk away from the school, so as we walked we got to site-see and be in a whole different vibe. It was around 9:30 when we left so we got a slight look at the night life, which was very friendly. The interview went great. They mostly interviewed Marcus and Keyera, and then the other rappers and I did our rap. It was great publicity and I’m hoping that we get a full house because of it

What’s really good with it? Alright so let it be known this is the one and only Tyree on the mic for the time being. You know the kid that’s oh so FLY. But yeah, man, I am loving it out here in Edinburgh. I love the sights and I am really digging how different it is out here. We’ve performed three shows so far and today is our last day to perform; every show has been a full house. I used to feel like I wasn’t a good actor and that I shouldn’t waste my time with this or anything in that nature, but man, Ms. Sabella helped me out and I feel a little more confident each time.

Hey guys. This is Krystal and on August 19 I saw the most amazing theater I have ever seen, Beat Box Action Comedy. It took my breath away I could not believe that I was actually watching all of it live because the play seemed like a movie filled with special effects. They beat boxed, danced, and did stage combat—the even had real food onstage, which they called somebody from the audience to try. And all the sounds effects were done by mouth. It was just amazing—such a great experience. I cannot thank you guys enough for making this experience possible, and your support of this adventure. Thanks again.


OakTechRep on performing on the Cal Shakes stage

So you’ve read Cal Shakes’ thoughts on the OakTechRep performance of Hamlet: Blood in the Brain at the Bruns; now here’s a representative from the cast (Naomi Zingman-Daniels) telling their side of the story.

So all along, we at OakTechRep have been sort of going “Woo! We’re going to Scotland!” as we performed on various schools’ stages. Every rehearsal we’d done was at a school, and every performance, too. We’d done a few excerpts in public, but actually performing on a big public stage—that was just insane. So when we went on a tour of the Bruns Amphitheater less than a week before we performed there, it started to hit us.

We were performing at Cal Shakes.

I mean, it wasn’t new news. We’d known about it for months. But when we were walking the stage, going over blocking, figuring out how to set the stage—it was actually real. We were really going to perform on the Bruns Amphitheater stage. People—about 500 of them—were really going to come see us perform. This was really happening. It was also really, really cold, and on the night of the show, incredibly windy.

In the hours before we got called for the start of the show, the backstage area was buzzing. People in their dressing rooms were taking pictures with their mirrors (we have slightly modified bathrooms at school and get rather overly excited anytime there are professional dressing rooms), resting, frantically going over lines, and—in my case—figuring out which costume I was going to wear. Everyone was talking and yelling about everything under the sun, finding props, and doing last minute runs of blocking.

And then came the call for places.

By 7pm, it was already pretty cold out. We stood at the entrances to the amphitheater, in character, for about half an hour before we moved to the stage. Personally, I think it was the best show we’ve done yet. We seemed to find new dimensions to our characters throughout the show. Throughout the show, we had to make a few emergency changes—one being me standing behind the mirror we use for one scene, so the winds wouldn’t knock it over onto one of the characters—but in the end, everything worked out great.

We were down one actor, Rafa Moraga (Fate/Funeral Home Employee), who was out of town, and I was playing his part, so I had rehearsed it before plenty of times, but just for me, performing that scene was a whole different experience. The show was unlike any we’d ever performed before, and I think I can speak for everyone when I say that it was absolutely amazing (thank you so much, Cal Shakes!) and it just made it even more excited (if that’s possible) for Scotland!


Oakland Tech Takes Orinda by Storm (almost literally)

Wow! What a night! Last night we hosted our largest New Works/New Communities (NW/NC) event to date. My name is Daunielle Rasmussen and I am, among many other things here at Cal Shakes, the Community Engagement Manager for the NW/NC program. I began fulfilling the responsibilities of this job title last December and have had an amazing year of discovering what our community engagement program is.

In the last week, we have opened the “doors” of our outdoor Bruns Amphitheater to the talented young actors of Oakland Technical High School to prepare for a one-night-only performance of their much celebrated production of Hamlet: Blood in the Brain. Since March, we have become close collaborators; upon hearing that they were selected to take Blood in the Brain (the first work created through NW/NC) to the Fringe Festival in Edinburgh, Scotland, we knew we needed to send them off in style.

The company members of OakTechRep first set foot on our grounds last Monday when they came to rehearse in the space. We were immediately blown away by their professionalism and dedication. This is no mere group of teenagers—this is a well-trained team of actors who are giving, fun, and extremely talented. The process of putting on the performance last night went insanely fast. They had one four-hour rehearsal in the theater on Monday, July 19 to reset their blocking to our space. They had to use and work around the set that we currently have on stage for Mrs. Warren’s Profession—a play as different from this one in aesthetic tone as could be.

The second rehearsal was a technical rehearsal wherein we added in sound and light cues. In between the two rehearsals, members of our tech team—composed of interns from Cal Shakes’ Professional Immersion Program—and theirs feverishly worked to solidify what cues and lighting design could be done with what was already hung for Mrs. Warren’s. Sunday night, after Mrs. Warren‘s had ended, we tech’d Blood in the Brain from 7 to 11pm. The kids were released but we kept working on notes and adjusting the lights. Monday (yesterday) the OakTechRep cast showed up at 4pm for a speed-through of the play, took a short break for dinner, and went straight into the show at 7:30pm.

The house was almost full, which felt fantastic! We were so pleased to be able to share this special event with such a large group, many of whom were completely new to our Theater. The only disappointment was the weather. The wind was so bad it was hard to hear the actors from the back of the house, and it was sooooo cold! We were worried that the large standing mirror—one of the few props OakTechRep brought with them—would blow over. I had to run backstage at one point to ask one of the actors to stand behind it during the scene. Overall, though, the show was an amazing success: We raised $1,100 to continue and deepen the residency partnership between Cal Shakes and Oakland Tech.

This group is special, and I feel like I have gained so much just by being in their presence.

Photo of OakTechRep curtain call by Jay Yamada.


Hamlet in Juvy

This past Memorial Day weekend, a special group of teens came together to perform adapted scenes from Shakespeare for their peers. It’s not a traditional summer holiday activity for kids, that’s for sure; but these kids are in Alameda County Juvenile Hall, where neither beach trips, nor barbecues, nor performing Shakespeare is an everyday occurrence.

For several years, Cal Shakes has worked closely with Write to Read, a program of the Alameda County Library; Juvenile Hall’s head librarian Amy Cheney; and Associate Artist Andy Murray to provide Shakespeare workshops in the hall’s classrooms. This May, we expanded to our first evening residency: three hours per week over four weeks in which students took on selected scenes from Hamlet. With the guidance of new teaching artists Sean Levon Nash and Jade Raybin as well as Cal Shakes Artistic Administrator Daunielle Rasmussen, students read scenes from Hamlet and Hamlet: Blood in the Brain by Naomi Iizuka, then improvised the actions of the play to create performance pieces that recast Shakespeare’s characters in modern times.

On the final night of the residency, six students performed for an audience of fifteen peers and three staff members, a first in our three years of Shakespeare at the Hall. Plans are in the works for further residencies at Alameda County Juvenile Hall and, with the help of consultant Kim Nelson, we are pursuing new partnerships with other organizations and facilities serving juvenile offenders.

Pictured above: Jade Raybin, Sean Levon Nash, Daunielle Rasmussen, and Cal Shakes Director of Artistic Learning Trish Tillman in a curriculum meeting for the Hamlet residency; photo by Brianna Regan.

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Summer in OakTechRep

In August, Jessa Berkner’s Oakland Technical High School advanced drama students will travel to the Edinburgh Fringe Festival. As American High School Theatre Winners, they will perform Naomi Iizuka’s Hamlet: Blood in the Brain, which was the first development project of Cal Shakes’ New Works/New Communities program. (For more information, visit our news and NW/NC pages.)

Summer’s starting, and OakTechRep is full of exciting news! A few weeks before school ended, we made our fundraising goal for Scotland—suddenly, it’s so much more real to all of us who are going. In addition to this exciting news for all of us, senior Marcus Thompson, who plays H, the Hamlet character in Hamlet: Blood in the Brain, won the Beach Blanket Babylon scholarship—a $10,000 scholarship that is awarded to the best actor, the best singer, and the best dancer graduating from a Bay Area high school each year. Congratulations, Marcus!

For all of us, what we have now to do is rehearse—which is going to be a journey unto itself. We have a busy summer schedule, rehearsing at school, in parks, on the steps. If you’re around, maybe you’ll catch us at a rehearsal somewhere. The place you can for sure catch us is at Cal Shakes on July 26, when we have our last US show before heading over the ocean to Edinburgh.

We’re all really excited for everything that’s coming up. Since not everyone in the original OakTechRep cast of the show could make it to Scotland, we have to change roles and reblock for the smaller space that we’ll have in Scotland. Nearly everyone has changed lines and two of us have completely changed roles, which means new lines for most of us and new blocking for everyone. It’s going to be hard – this is all of our first time really reblocking a show that we’ve already done a bunch – but it’s going to be amazing in Scotland, so it’ll be worth it. We’re also really excited for the Cal Shakes show; it means a lot to us (thank you so much, Cal Shakes!) and it’s our last chance to show everyone on this side of the world all our hard work.

Because we essentially have another show to learn, we have a lot of rehearsal to go through. Even with all the craziness, though, it’s going to be an amazing summer for all of us. We all know we’re incredibly lucky to have this chance—and, sure, maybe we’ll have to cancel a day at the beach—but it’s more than worth it. I can’t think of anyone or anything I’d rather spend time on than this.


Oakland Tech Blogs!

In August, Jessa Berkner’s Oakland Technical High School advanced drama students will travel to the Edinburgh Fringe Festival. As American High School Theatre Winners, they will perform Naomi Iizuka’s Hamlet: Blood in the Brain, which was the first development project of Cal Shakes’ New Works/New Communities program. (For more information, visit our news and NW/NC pages.)

Currently, Berkner’s students are working with Cal Shakes on a modernized Twelfth Night the cast is pictured at right, photographed by Berkner). What follows is what we hope will be the first of several blogs by Naomi Zingman-Daniels and the other OakTechRep students. This blog was written last week, when Twelfth Night was still in performance.

Everyone is rushing around; a girl in a red robe is holding up a beard to her face; another girl is putting yellow fishnets on. This is just another normal scene backstage at OakTechRep, Oakland Tech’s advanced drama program. We’re in the production week of Shakespeare’s Twelfth Night, and every member of the cast and crew is making last-minute preparations, running over lines, and discussing blocking. It’s the normal pre-show craziness here.

The 2009-2010 school year is our Shakespeare year here at Oakland Tech. We started out the year with Naomi Iizuka’s modern adaptation of Hamlet, entitled Hamlet: Blood in the Brain. Set in 1989 Oakland, it was a really great way to start off. We all got completely into it—Shakespeare’s stories are absolutely timeless, and can be set, if you think about it enough, anywhere. And it wasn’t just an interesting play for us to do. It hit close to home. Oakland is where we live, where we work, where we go to school. A lot of the problems in both Shakespeare’s and Iizuka’s versions of Hamlet exist in our community today, and it made it a lot more real for us and a lot easier to get into the script, especially for the actors who hadn’t previously studied much Shakespeare.

We’re taking Hamlet: Blood in the Brain to the Edinburgh Fringe Festival this summer, and even though all the fundraising and preparation is driving everyone involved a little crazy, we’re all really excited for it. It’s been a lot of work. We started the show with 16 cast members. In Scotland, we’re going to have only nine, so we have to reblock and reassign lines. We’ve also been raising all the money for it, so that’s been crazy, too.

Since we’re a repertory theater, we have multiple shows going on at once. We’re taking a break from Hamlet with Twelfth Night, and going back in time to 1920s New Orleans and the classic text. We had our first preview last night, and it was amazing. Our Orsino came in just the weekend before, so we’ve had to cram a lot of rehearsing into very little time. Scenes had to be newly figured out, relationships onstage reworked, and of course, lines to be learned. It’s been stressful, of course, and there was the usual arguing over cues and lines and who goes on when backstage before, during, and after the show. But it was a lot of fun. The only real sad thing for me is that there’s only going to be two more nights of it.


New Works/New Communities play goes to Edinburgh Fringe

This weekend, Oaklanders will get another chance to see Hamlet: Blood in the Brain as Oakland Technical High School’s award-winning drama department presents the play for three nights. Naomi Iizuka’s reimagining of the Shakespeare tragedy transports the scandalous classic to the drug-ravaged streets of mid-1980s Oakland; as American High School Theatre Festival winners, Oakland Tech will tour the production around the Bay Area this spring—including a Feb 24 performance at Stanford and an excerpt performance at Oakland’s popular street festival. Art Murmur, on March 5—before traveling all the way to Scotland to present Blood in the Brain at the Edinburgh Fringe Festival!

Back in 2003, Cal Shakes partnered with renowned playwright Iizuka and San Francisco’s Campo Santo—the resident theater company at Intersection for the Arts—to launch this first New Works/New Communities project. The play was developed over the course of three years of grassroots community engagement that included community conversations and public readings, and culminated in a sold-out eight-week run at Intersection for the Arts in San Francisco. (Pictured above, Sean San José and Ryan Nicole Peters perform at Intersection; photo by Dave Nowakowski.)

We are so pleased that Oakland Tech is performing this play, and we congratulate them on their AHSTF win. Break a leg!

Click here for more info on the Oakland Tech performances.
Click here for more info on New Works/New Communities, or get regular updates on our new play and community development efforts by signing up for our email list and clicking the box for New Works/New Communities.