“I wasn’t prepared for what the future brought me,” says Tennesee Williams’ Amanda Wingfield. Looking back to genteel Southern roots that haven’t yielded the kind of life she imagined for herself, Amanda tries to shape success for her children, Tom and Laura. Amanda’s indomitable spirit and childlike optimism refuse to be quashed by experience, and her sassy humor peeps through the most dire situation to give us one of the most famous voices of 20th-century American Theater. Looking back on his experience to bring forth the story of Amanda, her two children, and her absent husband, Tom unfolds, in The Glass Menagerie, the coming-of-age story of playwright Tennessee Williams. The Glass Menagerie is a “memory play” for Tom, and it is a “memory play” for Williams, who, Gore Vidal has suggested, “could not possess his own life until he had written about it.”
Dr. Philippa Kelly, Resident Dramaturg for the California Shakespeare Theater, is also a professor and author. Her 2010 book, The King and I, a meditation on Australian culture through the lens of King Lear, garnered international praise in its very personal examination of themes of abandonment, loss, and humor).
You can email Philippa at firstname.lastname@example.org, or post below to ask her a question.
The Glass Menagerie begins performances July 5 and continues through July 30. Click here to learn more and buy tickets!