by Philippa Kelly, Resident Dramaturg
Decades ago my husband bought some land with a bunch of fellow-hippies in Mendocino, and we often go up there. When you wake in the night, the sky is coal-black, studded with stars. You might be surprised at a steady thud in the air, until you realize that in the unfathomable quiet you are listening to your own heartbeat. We are very solitary there —it’s a place of peace and renewal for us both, where we read and write, plant vegetables and harvest them, if the mice don’t get to them first.
We wonder—if we lived there permanently, would we shift from our state of intense privacy to share in the intrigues, news, gossip, community byways and through-lines, that are a part of any human group? But for now, what we feel there is the brief retreat from one world we love to another quite different one.
The woods in Boonville are our forest of Arden of sorts—but you don’t need a forest to make an Arden. Arden is a place, but more truly it’s a state of being. In As You Like It, the Forest of Arden is a place of exile, for some a banishment and for others a place of escape: for characters turned out of home, or alienated from it. But the amazing thing about dramatizing exiles is that they are on their way to being something else.
The figure of the “stranger in a strange land” haunts us from Exodus through to The Odyssey (look out for this theme in black odyssey, our stunning third play of the season) through to As you Like It. And as exiles, our characters search for home—whether it’s the place they once knew, or a new home, a self and relationships that are in some way recreated, resolved or renewed. This is what they dream of, anyway, as exiles. In a way I think the whole of America is currently in exile—many more people are literally turned out of their homes, lined along the street, huddled under blankets, whether in shame or despair or sheer escape from the cold. And there will be more. It is dangerous and frightening; the promise of renewal seems distant and faded. All the more reason to evoke it, to remember what it looks like, to insist on its possibility, through art.
As You Like It begins performances May 24 and continues through June 18.
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