Much Ado About Nothing, written at the end of the 16th century adjacent to Hamlet and Twelfth Night, is a fascinating concoction of merriment and betrayal, sorrow and surprise. Under the leadership of our new Artistic Director, Eric Ting, classical works become new works, seen on our stage as if for the first time. In her evocation of Shakespeare’s busy port town of Messina, where the classes jostle, everyone eavesdrops, and nothing is as it seems, Director Jackson Gay has created a special frame for our Cal Shakes production. Much Ado, in her hands, provokes intriguing questions about the roles that are assigned to us, the roles that others think we should play, the roles that are taken away from us, and those that we might hold as dreams deep inside. Come join us – and when you get home, write and tell me what you think!
Dr. Philippa Kelly, Resident Dramaturg for the California Shakespeare Theater, is also a professor and author. Her 2010 book, The King and I, a meditation on Australian culture through the lens of King Lear, garnered international praise in its very personal examination of themes of abandonment, loss, and humor).
You can email Philippa at firstname.lastname@example.org, or post below to ask her a question.