By Ayodele Nzinga
It’s hard to know where to start. I always like the beginning. I like big pictures and story/stories. So I think that’s where I will start.
As an artist it’s hard to find funding for work. The places that offer funding often offer direction as well as funding—thus they become collaborators in the project.
If the funders want you to collaborate with another entity, they too come to the table as collaborator.
When the work comes with a deadline and a set of collaborators, each invested from a different perspective and potentially representing different populations with divergent goals for a commonly derived project, a type of crucible is formed.
To imagine art coming from this crucible can be challenging.
- How to hold on to and serve the inspiration that brought you into the room
- How to be open to not serving that inspiration as you envisioned or imagined it (can your Bird of Paradise seed grow a Meyer Lemon Tree?)
- Reimagining how to find your inspiration (something of what brought you in the room), inside the things that brought the other collaborators into the room
- Practicing leaderless/leaderful interaction that results in the production of knowledge that in turns supports action/doing
- Investing fully and engaging soulfully with the Meyer Lemon Tree
- Finding the way in which the Meyer Lemon Tree serves the Bird of Paradise seed
- How to facilitate equal collaboration when collaborators are invested differently, and the acknowledgement that funders are unacknowledged collaborators as well, who influence the trajectory and the boundaries of projects, further complexifies the collaborative art making process
To imagine not making art when given a chance is inconceivable. Especially if support is offered that facilitates your exploration of what might come of your interaction with Meyer Lemon Trees and you can negotiate the challenges above while engaging the process of making art.
As an artist, I find collaboration an interesting animal. I am not sure I like it, but I understand its importance. The things collaboration gifts are and are not art-making related. That is, the bigger lessons and blessing that come from collaboration transcend the art making process to live in how one addresses the world and builds community.
It is a space in which one must advance ideas as a part of showing up fully, at the same time one must hold space for the ideas of others and view them with as much value as ones own, while helping to facilitate the advancement of a project that in some way reflects our mutually derived vision.
In closing, the process of making art is always as interesting as the art that is the product of the process. The fusion of artist with the practice of research/investigation adds a layer on top of the complexity inherent in collaboration. I am looking forward to the soul of this endeavor which for me lies somewhere beyond the negotiation of the things I have written about here.
So far the experience has been very cerebral and that’s satisfying to my scholar soul – but the artist in me looks forward to painting with my fingers and getting clay beneath my fingernails.
Maybe next time I will blog about how collaboration invites you to be bigger than your dreams of Birds of Paradise.