A Midsummer Night’s Dream begins where most comedies end: with the announcement of a wedding. As the curtain rises, Duke Theseus calls for general rejoicing at the news of his impending wedding to the Amazon Hippolyta. “Stir up the Athenian youth to merriment,” he tells Philostrate, expecting the young folk to readily oblige. But they will not, or they cannot, so hopelessly enmeshed are they in the tangles of their hearts. By the play’s conclusion, however, all will find fulfillment (or at the very least, acceptance), bowing to the wonder of this wedding day. Marriage in A Midsummer Night’s Dream is more than a note of triumph: it marks the end of a struggle and the beginning of a journey. And all of us who witnesses this play—beautiful, hilarious, even dangerous—bring to it our own flawed hearts. In the confusions of the young lovers, the competitive ambiguities of mature love, and the hilarious malapropisms of the “rude mechanicals: we might see our hopes, dreams, passions, and our laughably regrettable mistakes.
Are you going to see our production of A Midsummer Night’s Dream? Do you have questions or comments about the production’s cast, themes, creative choices, or anything else? Please leave them in the comments, and I’ll be sure to respond.