As many patrons and reviewers have noted, one of the fascinating aspects of A Raisin in the Sun is how resonant it is today, despite how much our society and culture has changed. Even though we live in an era of increased civil rights, systemic racism still exists—if it didn’t, the play would feel more like a historical document, and less like a contemporary commentary.
Many patrons and students have been drawing these lines between then and now. If you read Amani Morrison’s program article “Then and Now,” you saw these two eras being threaded together.
In a previous blog post, we wrote about playwright Lorraine Hansberry’s peculiar list of “likes,” “dislikes,” and “dreams”:
On April 1, 1960, Hansberry scrawled on legal pad an offbeat list of things that she liked, hated, and wanted, with a final column for what she was “bored to death with.” The fragment is unique for the window it opens on her mind and disposition; it is both sad and funny, political and personal. “My homosexuality” appears twice, as a like and a hate; “racism,” “death,” “pain,” and “cramps” are all hates, along with “what has happened to Sydney Poitier” (who had starred in the first Broadway production of A Raisin in the Sun in 1959).
In that same post, we asked our patrons and fans to write their own list, reflecting on both personal and social struggles. What has changed for you in your life? What feels possible? What does not? When we reflect on these ideas–prominent themes in A Raisin in the Sun–we get a glimpse into the power of theater to reveal social struggle, history, and change.
Today, we’re posting some of the written responses we’ve gotten from our on-site Story Hub, adjacent to the cafe at the theater. As the project continues, we’ll post more of our patrons’ likes, dislikes and dreams.