The following was written by Marketing & PR Manager Marilyn Langbehn. Stay tuned for more dispatches from inside rehearsals.
Every Cal Shakes play has benchmarks on its path to the finished production our audiences will see on the Bruns stage. Last night’s benchmark, the designer run, marks the end of a specific part of the rehearsal process; tomorrow the company decamps for the Bruns and the start of tech rehearsals.
For those of us who have not been a part of rehearsals, it’s a chance to see the journey the show has taken from the first benchmark—the Meet and Greet and first rehearsal only three short weeks ago. It’s thrilling to feel the energy in the room on designer run day.
When we arrive, the actors are congregated at the round table in the rehearsal hall, quietly reviewing their scripts, making notes, asking and answering questions of each other in that shorthand communication that develops over the course of weeks of rehearsal. “You know that moment in Act Two? I think I’ll…” “Yeah, let’s try that.”
Lighting designer York Kennedy, composer/sound designer Will McCandless, and costume designer Katherine Roth sit across the room, in front of the taped-out playing area, waiting for stage manager Corrie Bennett to call places for Act One. Although many of the designers have been around for the rehearsal process, this is the time when they will focus on how their respective work fits into the overall production. Where do the actors move during the show, and what kind of lighting is required? Does the sound cue in that spot need to be recorded or done live? Stuff to be figured out during the course of the next week; what sounds and looks good in the rehearsal hall may play quite differently when it’s outdoors at the theater.
Sometimes there’s a preamble to the run-through, a reminder of the rules of the room, but not today. Everyone knows why they’re there and are ready to begin. Corrie calls places, and we’re off.
It’s immediately apparent director Mark Rucker has cast a group of artists who are intimately comfortable with each other, the play, and the work they need to do. The story unfolds seamlessly and with the appropriate suspense, even for those of us who already know how it turns out. Noël Coward’s delicious laugh lines land and, even without the benefit of some of the ghostly tricks that will come to fruition during the tech rehearsals, it’s clear that Coward and this company are creating something magical.
Tomorrow begins the home stretch. I can’t wait to see how it all turns out.