Meeting and Greeting the Story Inside Us All

Marketing Intern Jessica Reinhardt offers a look into the Spunk meet and greet with Director Patricia McGregor and cast.

“There is no agony like hearing the untold story inside of you.”—Spunk

Spunk Costume Photo

Spunk costume design by Callie Floor.

The rehearsal space at Cal Shakes was abuzz with laughter and smiling, eager faces. I settled into my seat within the sea of interns, all excited to see what a Meet and Greet entails. The story of Spunk unfolded as director Patricia McGregor captivated the room with her moving language and an enthusiasm that everyone could feel. A key theme in Spunk is home, and Patricia began to connect her concept of what it was like to grow up in the South to the show. She explained how her hometown inspired a sense of community by focusing on the meaning of sharing and storytelling.

 She then began to bridge the gap of time by bringing everyone in the room back to the good old days. Her vivid descriptions of drinking ice-cold lemonade on your granddaddy’s porch was accompanied by Anthony Peterson, A.K.A. Tru, (Guitar Man and musical director for Spunk) improvising bluesy rhythms on his lap steel guitar. Everyone was rapt as Tru set the mood of the story, sculpting the emotions of the Deep South right there in front of us. 

 Patricia quoted an old adage: “Being listened to is so close to being loved that most people cannot tell the difference.” There are bumps in the road in every person’s journey and one of the things that get people through is the simple feeling that someone cares; everyone needs to feel appreciated and loved and this is one of the beautiful themes of this show. The audience even gets to feel the love by actively participating and engaging with the actors just before the show begins, at the top of the first act.

 We got to hear from Paloma McGregor, Patricia’s sister and choreographer for Spunk, who gave her perspective on how movement and dance are incorporated in the show: The lively nature and movement mixed with dynamic character roles is definitely something to look forward to. The cast themselves sure had a lot of spunk, the type of actors whose chemistry you could see just as they sat around their table. The cast was sure not afraid to laugh, and this was just part of their magnetism.

 Patricia talked about how it was important for her to honor Zora Neale Hurston’s vision of giving a voice to the voiceless. This theme is something every person can relate to, regardless of skin color or age or any of the other categories designed to divide us. Everyone has their own personal story and should embrace where they have been in order to get to where they are going. I don’t know about you, but I cannot wait to see these characters come to life and “git to the git with some pain n’ some spit n’ some spunk.”  

 Spunkthree tales by Zora Neale Hurston, adapted by George C. Wolfe, music by Chic Street Manplays at the stunning Bruns Amphitheater in Orinda, CA July 4-29, 2012.

 

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One Response to Meeting and Greeting the Story Inside Us All

  1. phyllis g potter says:

    Andrew Brison Potter, who played Benedict in the 1977 production of Much Ado, directed by Ugo Baldassari, died on July 9, 2112 in Oakland.
    I am hoping that anyone who knew him will respond with a memory, access to a playbill, etc.
    Thank you,
    Phyllis Potter, his ex-wife, on behalf of our daughter, Anne, who was born that year.

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