Philippa Kelly, Resident Dramaturg for Cal Shakes, shares her thoughts and answers your questions on our upcoming 2012 season programming and about productions past.
Photo by Jay Yamada.
Throughout his 20-year writing career, Shakespeare was fascinated with metaphors of rehearsing and scripting: the very things we do in life to re-make the past and to predict and forestall the future. No matter how we might wish it, there is no rehearsal that can prepare us for, or insulate us against, the vagaries of life itself; and there are limitless possibilities for misspeaking our intentions and mishearing what we ought to understand. This is the stuff of comedy as well as tragedy, history as well as romance.
What was Shakespeare doing in the “lost years”, the period immediately prior to 1592? What were his preoccupations when the 35-year-old author wrote Hamlet, at the end of the 16th century? Why was The Tempest one of his very last plays, even though up to that time he was in still in the full vigor of his life and production schedule? Thoughts, questions, opinions about Shakespeare or about any of his plays (they need not just concern Hamlet and The Tempest), are welcome in the “comments” section below. Also welcome are questions about George C. Wolfe and Zora Neale Hurston, whose Spunk we’ll be doing next season, as well as Noël Coward, whose Blithe Spirit is third in the Main Stage line-up.