It’s Almost Showtime at the Shakespeare Summer Conservatory!

By Sloane Henry, Artistic Learning Intern

The Bentley Five-week Conservatory is in full swing! We’re almost half way through and time continues to fly by. I have been stage managing for the Merry Kinsmen—the youngest group (third–sixth grade) and I am proud to say that they are well on their way to a very solid production of The Taming of the Shrew, directed by Heidi Abbott

The 3 witches of MACBETH take a break from rehearsing with intern Bristol Glass to strike a pose

and led by PIP Sam Coughlin, that sends a much more positive message than a traditional staging of the Shakespeare play. I am also anxious to see the oldest group, The  Queen’s Own, pull off their own rendition of Titus Andronicus directed by Susannah Martin, staged managed by PIP Cordelia Miller, and supported by their fearless leader, PIP Brett Jones. Cal Shakes just closed a powerful production of Titus on their Main Stage, so the Queen’s Own have been very fortunate to acquire many of its props this way. But it’s very clear how important it is to these kids to make this show their own, as they have set up multiple bake sales at Conservatory lunch to raise money for additional props and special effects.

The cast of TAMING OF THE SHREW decked out in pirate garb.

There is also a lot of buzz around the Fortune Artists’ modern take on The Two Gentlemen of Verona, directed by Catherine Castellanos and stage managed by Caitlin Volz. From what I’ve heard in rehearsals, it looks like the second-oldest group has taken a cue from The Verona Project and is featuring the players’ musical talents in the show. I talked to some Noble Knaves (the second-youngest group) during a break and they seemed very confident in their progress with Macbeth, directed by Laura Lowry, stage managed by Sam Callahan, and headed by PIP Bristol Glass, declaring “We’re all blocked and almost off-book!”

The Riotous Knights leap for joy. HUZZAH!

And last, but not least, the Riotous Knights’ Twelfth Night, directed by Ryan O’Donnell, aided by PIP Jordan Reiff, and currently staged managed by Sophie Kreeger (while their other stage manager, Julia Van Broeck is working the Cal Shakes Main Stage production of The Verona Project) is looking like it’s going to be a wild ride complete with hippies, colored hairspray, disco, Ke$ha, and a live band.

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