Brutal beauty and genuine, pure theater. (Or, hey, look, it’s a picture of the set!!)

 

The latest and in a series of dispatches from inside the rehearsal process for Samuel Beckett’s Happy Days, written by the show’s director (and Cal Shakes’ Artistic Director) Jonathan Moscone.

Friday, August 8, 2009

 

Well, what do you know.

 

We put the show together at the Bruns today. I have to say that Todd Rosenthal is kind of a genius of a set designer. The mound is epic and intimate, authentic (thanks to our great scenery team led by Dave Nowakowski), and, when lit by York Kennedy, it is a thing of beauty. Brutal beauty.

And Patty takes to it like moths to a flame. She fills the mound with energy and life that makes it compelling, utterly compelling to watch. Then Dan appeared with a bloody head (she throws a medicine bottle carelessly in his direction), and it looks like a painting. A surreal painting. It’s quite amazing. This play is genuine, pure theater. Beckett is a genius.

Here’s a pic. Come see.

Jon

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